Photo Credit: American Salon
Just a picture of my favorite protagonist in the history of all history to start this post.
I wanted to write this post from the perspective of a writer, but I soon realized that my perspective as a reader would force its way into the writing of this post, so you’ll get both. Let me tell you what I’m talking about when I say “damaged.” There is always something that the protagonist of a story has to deal with that makes a case more difficult to work or makes whatever goal s/he is trying to achieve that much more unattainable. But why is this? Why can’t characters be regular people who have to deal with something extraordinary during the course of the book?
In a very non-scientific analysis, I decided that I’d think of some of the series I read to see how many of the protagonists are broken in some way or another. I won’t name any of them, but let me tell what I came up with.
One guy’s mother is murdered when he’s a child and he becomes a detective. Decades later, the mother of his daughter is murdered during the course of an investigation.
Another guy is shot while on the job as a patrolman and the bullet is left inside of him due to its proximity to his heart. This is referred to in every book.
Another guy’s wife is murdered due to his work as a detective. Killer never apprehended.
Another guy’s wife is in broadcasting and after divorcing him, she starts to do whatever it takes to move up in her line of work. All while claiming she will always love him. He secures a Chief of Police job on the other side of the country after going to the interview drunk. The city figures they’ll be able to control an idiot.
Do you see my point? Sorry these are all detectives, but there are more examples I could point out from my own reading, but I have a post to write.
I’ve even been told that my character, Andrew Banks, is too squeaky clean and that he needs some damaged history, otherwise the reader is less likely to become invested in him. Huh? I mean, when I set out to write him (he’s me, which y’all should know) I did so wanting him to be different. Real. Not the guy with all the answers and being some expert at this or that. Just a regular guy who does his best at his job. And what did some of my readers say?
He’s independently wealthy.
He’s a bad detective.
His relationship with Sydney is a joke.
He thinks he’s better as one person than an entire police department.
First off, none of these are correct. The only one that I think even warrants any kind of response is the first on the list. Some readers have come to their conclusion that he’s some rich guy parading around the city of Houston because of a very short list of things. He doesn’t charge his first client anything for working her case. He happens to wear a Polo once during the course of the book. And he doesn’t tell the reader constantly about not having any money.
I’m not going to explain away the notion that he’s independently wealthy because those are the things right there that readers have told me that make him appear so. If you think someone is wealthy because of that list, then your definition of wealth is not the same as any other. And you probably need to check your head for irregularities.
Back to my point, what makes a character more likeable just because s/he has a bad past? Because to me, a great character is a great character. Period. I won’t change my character to fit some literary expectation or whatever you want to call it, because he is who he is, and that’s all there is to it.